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How can I improve my fireworks photography?
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During the recent New Year's celebrations I attempted to capture some of the fireworks on display with a rather mixed bag of results that look very little like the stock imagery one associates with celebratory fireworks.
5s, f/14, ISO 500
The fireworks are overexposed and the surroundings underexposed
At 10 sec the ambient structures are more visible but the fireworks are terribly overexposed
A 2.5 second exposure did make the fireworks come out better at the detriment of the surroundings. Admittedly, the setup capturing the building in this shot does not help the composition but that's seconday.
long-exposure fireworks
add a comment |
During the recent New Year's celebrations I attempted to capture some of the fireworks on display with a rather mixed bag of results that look very little like the stock imagery one associates with celebratory fireworks.
5s, f/14, ISO 500
The fireworks are overexposed and the surroundings underexposed
At 10 sec the ambient structures are more visible but the fireworks are terribly overexposed
A 2.5 second exposure did make the fireworks come out better at the detriment of the surroundings. Admittedly, the setup capturing the building in this shot does not help the composition but that's seconday.
long-exposure fireworks
add a comment |
During the recent New Year's celebrations I attempted to capture some of the fireworks on display with a rather mixed bag of results that look very little like the stock imagery one associates with celebratory fireworks.
5s, f/14, ISO 500
The fireworks are overexposed and the surroundings underexposed
At 10 sec the ambient structures are more visible but the fireworks are terribly overexposed
A 2.5 second exposure did make the fireworks come out better at the detriment of the surroundings. Admittedly, the setup capturing the building in this shot does not help the composition but that's seconday.
long-exposure fireworks
During the recent New Year's celebrations I attempted to capture some of the fireworks on display with a rather mixed bag of results that look very little like the stock imagery one associates with celebratory fireworks.
5s, f/14, ISO 500
The fireworks are overexposed and the surroundings underexposed
At 10 sec the ambient structures are more visible but the fireworks are terribly overexposed
A 2.5 second exposure did make the fireworks come out better at the detriment of the surroundings. Admittedly, the setup capturing the building in this shot does not help the composition but that's seconday.
long-exposure fireworks
long-exposure fireworks
asked 5 hours ago
LevonLevon
1525
1525
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3 Answers
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There are many ways to tackle fireworks. A lot of it is experimental.
I found that I get near perfect handheld results with a 22mm to 35mm lens at around f/2.0 or f/2.8, ISO800 to ISO1250 and a shutter speed of 1/30 to 1/50. I keep the camera on Servo with continuous shooting.
It allows for shots that have the light streaks but keeps the highlights just below the point where they are completely blown out.
Any longer than 1/30 sec, I find that the highlights become unrecoverable.
Here are some cropped examples captured handheld on a Canon EOS-M(2012) with the above settings at Disney from the middle of a massive crowd, strollers and kids all over the place. In other words, no space for a tripod.
and the biggest secret that I just remembered, click after the explosion! that way you avoid the bright blownout explosion and capture just the streaks.
add a comment |
Use a tripod, take a shot of surroundings during an intermission (or even better, at dusk, before the fireworks start), and then shoot the fireworks. Blend the images in post production (this is a case where accurate overlap isn't even necessary).
add a comment |
These were taken with a Canon 700D with a 22 mm lens f/10 2,5 sec ISO 200
I had the camera set on a tripod and I was shooting with a remote control continuously leaving 1/2 seconds the camera cool before the next shot regardless of what was happening in front of me. Most of the shots showed nothing remarkable, but I got several nice shots.
New contributor
add a comment |
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3 Answers
3
active
oldest
votes
3 Answers
3
active
oldest
votes
active
oldest
votes
active
oldest
votes
There are many ways to tackle fireworks. A lot of it is experimental.
I found that I get near perfect handheld results with a 22mm to 35mm lens at around f/2.0 or f/2.8, ISO800 to ISO1250 and a shutter speed of 1/30 to 1/50. I keep the camera on Servo with continuous shooting.
It allows for shots that have the light streaks but keeps the highlights just below the point where they are completely blown out.
Any longer than 1/30 sec, I find that the highlights become unrecoverable.
Here are some cropped examples captured handheld on a Canon EOS-M(2012) with the above settings at Disney from the middle of a massive crowd, strollers and kids all over the place. In other words, no space for a tripod.
and the biggest secret that I just remembered, click after the explosion! that way you avoid the bright blownout explosion and capture just the streaks.
add a comment |
There are many ways to tackle fireworks. A lot of it is experimental.
I found that I get near perfect handheld results with a 22mm to 35mm lens at around f/2.0 or f/2.8, ISO800 to ISO1250 and a shutter speed of 1/30 to 1/50. I keep the camera on Servo with continuous shooting.
It allows for shots that have the light streaks but keeps the highlights just below the point where they are completely blown out.
Any longer than 1/30 sec, I find that the highlights become unrecoverable.
Here are some cropped examples captured handheld on a Canon EOS-M(2012) with the above settings at Disney from the middle of a massive crowd, strollers and kids all over the place. In other words, no space for a tripod.
and the biggest secret that I just remembered, click after the explosion! that way you avoid the bright blownout explosion and capture just the streaks.
add a comment |
There are many ways to tackle fireworks. A lot of it is experimental.
I found that I get near perfect handheld results with a 22mm to 35mm lens at around f/2.0 or f/2.8, ISO800 to ISO1250 and a shutter speed of 1/30 to 1/50. I keep the camera on Servo with continuous shooting.
It allows for shots that have the light streaks but keeps the highlights just below the point where they are completely blown out.
Any longer than 1/30 sec, I find that the highlights become unrecoverable.
Here are some cropped examples captured handheld on a Canon EOS-M(2012) with the above settings at Disney from the middle of a massive crowd, strollers and kids all over the place. In other words, no space for a tripod.
and the biggest secret that I just remembered, click after the explosion! that way you avoid the bright blownout explosion and capture just the streaks.
There are many ways to tackle fireworks. A lot of it is experimental.
I found that I get near perfect handheld results with a 22mm to 35mm lens at around f/2.0 or f/2.8, ISO800 to ISO1250 and a shutter speed of 1/30 to 1/50. I keep the camera on Servo with continuous shooting.
It allows for shots that have the light streaks but keeps the highlights just below the point where they are completely blown out.
Any longer than 1/30 sec, I find that the highlights become unrecoverable.
Here are some cropped examples captured handheld on a Canon EOS-M(2012) with the above settings at Disney from the middle of a massive crowd, strollers and kids all over the place. In other words, no space for a tripod.
and the biggest secret that I just remembered, click after the explosion! that way you avoid the bright blownout explosion and capture just the streaks.
edited 1 hour ago
answered 1 hour ago
Abdul QuraishiAbdul Quraishi
3,85721024
3,85721024
add a comment |
add a comment |
Use a tripod, take a shot of surroundings during an intermission (or even better, at dusk, before the fireworks start), and then shoot the fireworks. Blend the images in post production (this is a case where accurate overlap isn't even necessary).
add a comment |
Use a tripod, take a shot of surroundings during an intermission (or even better, at dusk, before the fireworks start), and then shoot the fireworks. Blend the images in post production (this is a case where accurate overlap isn't even necessary).
add a comment |
Use a tripod, take a shot of surroundings during an intermission (or even better, at dusk, before the fireworks start), and then shoot the fireworks. Blend the images in post production (this is a case where accurate overlap isn't even necessary).
Use a tripod, take a shot of surroundings during an intermission (or even better, at dusk, before the fireworks start), and then shoot the fireworks. Blend the images in post production (this is a case where accurate overlap isn't even necessary).
answered 2 hours ago
xenoidxenoid
3,7961519
3,7961519
add a comment |
add a comment |
These were taken with a Canon 700D with a 22 mm lens f/10 2,5 sec ISO 200
I had the camera set on a tripod and I was shooting with a remote control continuously leaving 1/2 seconds the camera cool before the next shot regardless of what was happening in front of me. Most of the shots showed nothing remarkable, but I got several nice shots.
New contributor
add a comment |
These were taken with a Canon 700D with a 22 mm lens f/10 2,5 sec ISO 200
I had the camera set on a tripod and I was shooting with a remote control continuously leaving 1/2 seconds the camera cool before the next shot regardless of what was happening in front of me. Most of the shots showed nothing remarkable, but I got several nice shots.
New contributor
add a comment |
These were taken with a Canon 700D with a 22 mm lens f/10 2,5 sec ISO 200
I had the camera set on a tripod and I was shooting with a remote control continuously leaving 1/2 seconds the camera cool before the next shot regardless of what was happening in front of me. Most of the shots showed nothing remarkable, but I got several nice shots.
New contributor
These were taken with a Canon 700D with a 22 mm lens f/10 2,5 sec ISO 200
I had the camera set on a tripod and I was shooting with a remote control continuously leaving 1/2 seconds the camera cool before the next shot regardless of what was happening in front of me. Most of the shots showed nothing remarkable, but I got several nice shots.
New contributor
New contributor
answered 3 mins ago
Andrea MoriAndrea Mori
1011
1011
New contributor
New contributor
add a comment |
add a comment |
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